He credits this new method to director Peter Sohn. “Pete’s social personality was key to working in this new way.” New technology also helped, thanks to the Cintiq tablets. “We had 6 to 7 Cintiq’s and we could draw together.” They aren’t portable, so they drew, wrote and boarded The Good Dinosaur in that story room. It made a long and tedious process much more enjoyable. “It was kind of therapy,” joked Mann.
For screenwriter Meg LeFauve it was also a novel approach that she really enjoyed. Even with the increased collaboration and instant feedback that the digital storyroom allowed for, one thing stayed the same. “The writing process means needing to let go at some point because the story’s not mine.” In many ways, it’s the team’s.
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Once moviegoers see The Good Dinosaur in theaters on November 25, they probably will feel the story is a part of them, too.